Sony Venice 2

Price in Bangladesh Full Specifications

Official Price BDT-Upcoming Full Frame

Sony VENICE 2 (8K Or 6K) Specifications

General
Power Requirements DC12V (11.0 to 17.0V)
DC24V (22.0 to 32.0V)
Power Consumption (Condition: 12 V DC Input, Temp 25 °C, without accessories) VENICE 2 with 8.6K image sensor (MPC-3628): Approx. 76 W
(When recording X-OCN XT, 8.6K 3:2, 24FPS)
VENICE 2 with 6K image sensor (MPC-3626): Approx. 73 W
(When recording X-OCN XT, 6K 3:2, 24FPS)
Operating Temperature 0 to 40 °C
Storage Temperature -20 °C to 60 °C
Mass (without lens, handle, VF attachment and accessories) VENICE 2 with 8.6K image sensor (MPC-3628): Approx: 4.3 kg (9 lb 6.6 oz)
VENICE 2 with 6K image sensor (MPC-3626): Approx: 4.2 kg (9 lb 4.2 oz)
Dimensions 152 x 158 x 250 mm (WxHxD, excluding protrusions)
Camera
Imaging Device 35 mm full size, single-chip CMOS imager sensor
Imaging Device Pixel Count VENICE 2 with 8.6K image sensor (MPC-3628): 50.0M (Total)
VENICE 2 with 6K image sensor (MPC-3626): 24.8M (Total)
Built-In ND Filters Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256)
ISO Sensitivity VENICE 2 with 8.6K image sensor (MPC-3628): ISO800, ISO3200 (Dual Base ISO)
VENICE 2 with 6K image sensor (MPC-3626): ISO500, ISO2500 (Dual Base ISO)
Lens Mount PL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor)
Latitude VENICE 2 with 8.6K image sensor (MPC-3628): 16 Stop
VENICE 2 with 6K image sensor (MPC-3626): 15+ Stop
Select FPS VENICE 2 with 8.6K image sensor (MPC-3628):
5.8K 17:9 1-90FPS, 5.4K 16:9 1-90FPS
5.8K 6:5 1-48FPS**
8.2K 17:9 1-60FPS***, 7.6K 16:9 1-60FPS***
8.6K 3:2 1-30FPS***
VENICE 2 with 6K image sensor (MPC-3626):
4K 2.39:1 1-12-FPS, 4K 17:9/3.8K 16:9 1-110FPS 4K 4:3 1-75FPS**, 4K 6:5 1-72FPS**
6K 2.39:1 1-90FPS***, 6K 17:9/6K 1.85:1/5.7K 16:9 1-72FPS*** 6K 3:2 1-60FPS***
Recording
Recording Format (X-OCN) VENICE 2 with 8.6K image sensor (MPC-3628):
X-OCN XT/ST/LT:
8.6K 3:2 (8640 x 5760):23.98p, 24p, 25p, 29.97p
8.2K 17:9 (8192 x 4320) :23.98p, 24p, 25p, 29.97p, 47.95p, 50p*, 59.94p*
7.6K 16:9 (7680 x 4320) :23.98p, 24p, 25p, 29.97p, 50p*, 59.94p*
5.8K 6:5 (5792 x 4854) : 23.98p, 24p, 25p, 29.97p, 47.95p
5.8K 17:9 (5792 x 3056) :23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
5.5K 16:9 (5452 x 3056) :23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K VENICE 2 with 6K image sensor (MPC-3626):
X-OCN XT/ST/LT:
6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
4K 2.39:1 (4096 x 1716): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (ProRes) ProRes 4444/ProRes 422 HQ
4K (4096×2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
QFHD (3160×2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (Audio) LPCM 4ch, 24-bit 48-kHz
Inputs/Outputs
DC Input XLR-type 4 pin (male)
Battery DC Input Square-shaped 5 pin connector
DC Output 12 V: Lemo 2 pin x1
24 V: Fischer 3 pin x2
SDI Output BNC x4, (12G, 6G, 3G, 1.5G-SDI)
HD MONI Output BNC x1 (3G, 1.5G-SDI)
HDMI OutputType A x1 Type A x1
VF LEMO 26 pin
Audio Input XLR-type 5 pin (female) x1 (LINE/AES/EBU/MIC/MIC+48 V selectable)
Internal mic x1
Timecode Input BNC x1
Genlock InputBNC x1 BNC x1
AUX BNC x1 (Timecode Output)
Remote 8 pin x1
Lens 12 pin x1
Lens Mount Hot Shoe 4 pin x2, supporting Cooke /i Intelligent Electronic Lens System and ZEISS eXtended Data
Network RJ-45 type x1, 10BASE-T, 100BASE-TX
USB USB host, type-A x1
Headphone Output Stereo mini jack x1
Speaker Output Monoral
Media type AXS Memory A-Series slot x2
SD card slot x1
* X-OCN XT is not supported
** CBKZ-3620A/AM/AW is required
*** CBKZ-3620F/FM/FW is required

Manufacturer description

Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.

The 8.6K VENICE 2 can shoot and record 8.6K footage at 30 fps and 8.2K in either 17:9 or 16:9 at up to 60 fps. Its sensor raises the camera’s dual-range base ISO to an impressive 800/3200 for cleaner images in a variety of situations.

The 8.6K sensor can be swapped with the 6K sensor from the original VENICE to allow for higher frame recording with the original camera. As with the original VENICE, the sony VENICE 2 comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. Remove the PL Mount to reveal a Sony E-Mount, to accept native E-mount lenses. Eight integrated and motorized ND filters range from clear to eight stops of ND in one-stop increments.

Sensor?

The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor. The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor.

The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates.

Please note, though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.

Internal Recording?

Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.

New SONY VENICE 2 Functions?

Zoom to Fit Monitoring crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing

Apply LUTs to your 4K or HD (6G/1.5G-SDI) output
LUT/ART/CDL file import via Ethernet/Wi-Fi

ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata

VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported

Functions from VENICE

The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera
Imager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) / 5.8K 6:5 (needs Anamorphic License) / 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)

Support for the X-OCN XT recording format?

De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
Cache rec function
AXS Relay rec function
Simultaneous format
Support for 6G/12G output SDI
Improved imaging assist function
Support for CBK-WA02 Wireless LAN Adapter
Improved VF menu operations and Frame Line setting
Support for CDL files
5.7K at 16:9 up to 72 fps
4K at 6:5 up to 72 fps
3.8K at 16:9 up to 110 fps
3D LUT viewable in the viewfinder
ART (Advanced Rendering Transform) file imports
Updated switching for SDI 1-4 3G-SDI level A/B
Addition of second user frame line of 9:16 and 1:1 preset
Record beep and alarm volume adjust
Ability to maintain CamID+Reel# when loading ALL file
Displaying of Genlock and TC lock status on OSD
Setting of de-squeeze on/off via the USER button
Updated RCP Call function
Record gyro information in metadata
Support for ZEISS eXtended Data from FUJINON Premista-series lenses
Super35 17:9 and 16:9

These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35mm mode, which allows you to use Super 35mm PL mount lenses.

Built-In ND Filters?

The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops). The servo control also greatly increases VENICE’s flexibility when being controlled remotely on drones, cranes, or in an underwater housing.

Color Gamut?

The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2’s 6K and 8K sensors match colors almost perfectly, making your grading experience even better.

Dual-Base ISO Sensor?

The 8.6K VENICE features dual-base ISO, which offers Base ISO3200 in addition to Base ISO800. The High Base ISO3200 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops.

No Jello Effect?

The high-speed readout of the  sony VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.

PL Mount?

The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera’s lens information is recorded as metadata frame by frame.

E-Mount?

Removing the PL Mount exposes the camera’s E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don’t need to be removed, which saves time during production.

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